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Phillpotts, Eden, 1862-1960

"The Red Redmaynes"

Albert would
disappear--and we might or might not be invited to look upon his
blood; but we shouldn't see him. Como is the grave they probably
mean for him."
"You'll go for Doria straight, then?"
"Yes. He's making his plans at this moment, just as we are, and it's
up to us to work our wonders so they'll tumble in ahead of his. You
see that? There's two of us and two of them, and the next move must
be ours, or they'll checkmate our king all right. We've got this
great advantage; that Albert is at our beck and call, not theirs;
and while he remains safe, our stock's good. Master Giuseppe knows
that; but he also suspects that he's no longer safe himself; so he's
probably going to take some chances in the next twenty-four hours."
"Everything centres on the present safety of Mr. Redmayne?"
"It does; and we must watch him like a pair of hawks. To me the most
interesting aspect of this case is the personal factor that has
spoiled it for the master criminal. And the factor is vanity--an
overmastering, gigantic, yet boyish vanity, that tempted him to
delay his purpose for the simple pleasure of playing, first with you
and then with me.


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