He took his print of the coronation, securely wrapped, and went to
another store several blocks away. He could get a Napoleon book there,
where they wouldn't be suspicious. He found one that looked promising,
"Napoleon, Man and Lover," and still another entitled "The Hundred
Days." The latter had illustrations of the tomb, which he noted was in
Paris. Its architecture impressed him, and his hands trembled as he held
the book open. He had been buried with pomp, even with flamboyance.
Robber and killer he might have been, but the picture showed a throng of
admiring spectators looking down to where the dead colossus was chested,
and on the summit of the dome that rounded above that kingly
sarcophagus, a discriminating nation had put the cross of Christ in
gold.
Let people say what they would! With all this glory of sepulchre there
must be something in the man not to be wholly ashamed of.
And yet "Napoleon, Man and Lover," which he read that night, confirmed
his first impression that this strangely uncovered incident in his
Karmic past was, on the whole, scandalous; not a thing he would like to
have "get about." He sympathized with the poor boy driven from his
Corsican home, with the charity student of Brienne, with the young
artillery officer, dreaming impossible dreams. But as lover--he blushed
for that ruthless dead self of his; the Polish woman, the little
actress, sending for them as if they were merchandise.
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