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Allen, James Lane, 1849-1925

"The Choir Invisible"


Here succeeded other scenes; for as his interest deepened, he never grew
tired of this restorative image-building by which she could be brought
always more vividly before his imagination.
Her childhood gone, then, he followed her as she glided along the shining
creeks from plantation to plantation in a canoe manned by singing black
oarsmen: or rode abroad followed by her greyhound, her face concealed by a
black velvet riding mask kept in place by a silver mouth-piece held between
her teeth; or when autumn waned, went rolling slowly along towards
Williamsburg or Annapolis in the great family coach of mahogany, with its
yellow facings, Venetian windows, projection lamps, and high seat for
footmen and coachman --there to take a house for the winter season--there to
give and to be given balls, where she trod the minuet, stiff in blue
brocade, her white shoulders rising out of a bodice hung with gems, her
beautiful head bearing aloft its tower of long white feathers.
Yet with most of her life passed at the great lonely country-house by the
bright river: qazing wistfully out of the deep-mullioned windows of diamond
panes; flitting up and down the wide staircase of carven oak; buried in its
library, with its wainscoted walls crossed with swords and hung with
portraits of soldierly faces: all of which pleased him best, he being a
home-lover.


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