For instance--
"---- not poppy, nor mandragora,
Nor all the drowsy syrups of the world.
Shall ever usher thee to that sweet sleep"
to which a man shall be conducted by a few doses of Robert Montgomery's
Devil's Elixir, called "Satan," or by a portion, or rather a potion, of
"Oxford." Apollo, we know, was the god of medicine as well as of poetry.
Behold, in this our bard, his two divine functions equally mingled!
But waiving this, of which it was not my intention to speak, let me remark,
that the reason why poetry will no longer go down with the public, _as
poetry_, is, that the whole frame-work is worn out. No new rhymes can be
got at. When we come to a "mountain," we are tolerably sure that a
"fountain" is not very far off; when we see "sadness," it leads at once to
"madness"--to "borrow" is sure to be followed by "sorrow;" and although it
is said, "_when_ poverty comes in at the door, love flies out of the
window,"--a saying which seems to imply that poverty _may_ sometimes enter
at the chimney or elsewhere--yet I assure you, in poetry, "the poor"
_always_ come in, and always go out at "the door."
My new invention has closed the "door," for the future, against the vulgar
crew of versifiers.
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