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Various

"The Atlantic Monthly, Volume 01, No. 2, December, 1857"


Rejecting, then, as nugatory, every attempt to assign Robin Hood a
definite position in history, what view shall we adopt? Are all these
traditions absolute fictions, and is he himself a pure creation of the
imagination? Might not the ballads under consideration have a basis in
the exploits of a real person, living in the forests, _somewhere_ and
_at some time?_ Or, denying individual existence to Robin Hood, and
particular truth to the adventures ascribed to him, may we not regard
him as the ideal of the outlaw class, a class so numerous in all the
countries of Europe in the Middle Ages? We are perfectly contented to
form no opinion upon the subject; but if compelled to express one, we
should say that this last supposition (which is no novelty) possessed
decidedly more likelihood than any other. Its plausibility will be
confirmed by attending to the apparent signification of the name Robin
Hood. The natural refuge and stronghold of the outlaw was the
woods. Hence he is termed by Latin writers _silvatious,_ by the
Normans _forestier_.


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