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Various

"The Atlantic Monthly, Volume 01, No. 2, December, 1857"

And what do these names prove? The vulgar passion for
bestowing them is notorious and universal. We Americans are too young
to be well provided with heroes that might serve this purpose. We have
no imaginative peasantry to invent legends, no ignorant peasantry to
believe them. But we have the good fortune to possess the Devil in
common with the rest of the world; and we take it upon us to say, that
there is not a mountain district in the land, which has been opened to
summer travellers, where a "Devil's Bridge," a "Devil's Punch-bowl,"
or some object with the like designation, will not be pointed out.[21]
We have taken no notice of the later fortunes of Robin Hood in his
true and original character of a hero of romance. Towards the end of
the sixteenth century Anthony Munday attempted to revive the decaying
popularity of this king of good fellows, who had won all his honors as
a simple yeoman, by representing him in the play of "The Downfall of
Robert, Earl of Huntington" as a nobleman in disguise, outlawed by the
machinations of his steward.


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