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Hope, Laura Lee

"The Moving Picture Girls at Oak Farm or, Queer Happenings While Taking Rural Plays"

He made as much of
a success of it as was possible. And certainly Hee-haw showed no
signs of obstreperousness.
Ruth rode in the curious old cart, which Pop Snooks had made from
material found about the farm. She was to represent a country maid of
a generation past--and very pretty she looked, too, in her wide
skirts and poke bonnet, covered with roses. Quite in contrast to the
long and lanky figure Mr. Bunn, who in a nondescript suit, rode the
mule that drew the cart, after the fashion of an English postillion.
The play was a comic one without much rhyme or reason, but it was
found that audiences occasionally liked things of that sort, so the
films were made.
The day for the humorous film had arrived, and all went well until
the scene came with the mule. Even the first part of that was
successfully taken, though Mr. Bunn kept muttering to himself over
the fact that he had to blacken his face.
But he rode the beast, which certainly did nothing out of the
ordinary, though Mr. Sneed, with his usual gloomy forebodings,
confided to Pop that the beast had a wicked look in his eyes.
Ruth had ridden in the cart along the country road and had alighted
from the vehicle, her part being over. Then, just as Mr. Bunn was
about to get off the mule's back a bee, or some other insect, stung
the animal.


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