The foliage of this
tree is dense and flowing, and peculiar in its arrangement. The leaves
are clustered in stars of from five to seven, on short branches that
grow from one of greater length. Hence, at a little distance, the whole
mass of foliage seems to consist of tufts, each containing a tassel of
long pointed leaves, drooping divergently from a common centre. The
flowers come out from the centre of these leaves in the same manner,
and by their silvery green lustre give a pleasing variety to the darker
verdure of the whole mass. "This is the tree," says Gilpin, "which
graces the landscapes of Salvator Rosa. In the mountains of Calabria,
where Salvator painted, the Chestnut flourished. There he studied it
in all its forms, breaking and disposing of it in a thousand beautiful
shapes, as the exigencies of his composition required."
The Beech is one of the same class of trees, but does not equal the
Chestnut in magnitude. It is distinguished by the beauty of its clean,
smooth shaft, which is commonly ribbed or fluted in a perceptible
degree; and in a wood, where there is an assemblage of these columns,
rising without a branch to the height of thirty feet or more, they are
singularly beautiful. A peculiarity often observed in the Beech is a
sort of double head of foliage. This is produced by the habit of the
tree of throwing out a whorl of imperfect branches just below the union
of the main branches with the trunk.
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