Let the erudition of the German, the genial animation of the French,
the Saxon good sense, the Italian grace be enjoyed, and whatsoever of
glamour or of inadequacy these charms hide be duly estimated; reflection
and sympathy will often separate the gold of truth from the alloy of
prejudice or fantasy. Above all, let this eclectic test be applied
beyond nominal history,--to the geological data on the ancient
rock,--the handwriting of the ages upon race, costume, language,--the
incidental, but genuine history innate in all true literature, vivid
elements whereof live in passages of Milton's controversial writings, in
Petrarch's sonnets, De Foe's fictions, our Revolutionary correspondence,
South's sermons, Swift's diaries, Burke's speeches, French memoirs,
Walpole's letters, in the poems, plays, and epistles of the past, and
every fact and person which society and life offer to our cognizance or
sympathy.
"When we are much attached to our ideas, we endeavor to attach
everything to them," says Madame de Stael. "The secret of writing well,"
observes a Scotch professor, "is to write from a full mind." These
two maxims seem to us to illustrate the whole subject of historical
composition; an earnest votary thereof will instinctively find material
in every interest and influence that sways events or moulds character,
and from the assimilation of all these will educe a vital and harmonious
picture and philosophy.
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