His complexion was clear and healthful. His forehead, broad and
high, out of all proportion to the lower part of his face, gave an
unmistakable character of intellect to the finely placed head. Indeed,
he liked to observe that the gods of the Greek sculptors owed much of
their elevation to being similarly out of drawing! The lower features
were terse, succinct, and powerful,--from the bold, decided jaw, to the
large, firm, ugly, good-humored mouth. His very spectacles aided the
general expression; they had a look of the man. But how shall I attempt
to tell you of his brilliant conversation, of his rapid, energetic
manner, of his quick turns of thought, as he flew on from topic to
topic, dashing his brush here and there upon the canvas? Slow and quiet
persons were a good deal startled by this suddenness and mobility. He
left such people far behind, mentally and bodily. But his talk was so
rich and varied, so earnest and glowing, his anecdotes so racy, his
perception of character so shrewd, and the whole tone so spontaneous and
natural, that the want of repose was rather recalled afterwards than
felt at the time. The alloy to this charm was a slight coarseness of
voice and accent, which contrasted somewhat strangely with his constant
courtesy and high breeding. Perhaps this was characteristic. A defect
of some sort pervades his pictures. Their great want is equality and
congruity,--that perfect union of qualities which we call _taste_.
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